MADE WITH a generous heaping of "Lord of the Rings"-style derring-do and a pinch of "Braveheart"-esque Celtic lore (yet, surprisingly, with nary a whiff of "Camelot," "The Sword in the Stone" and ...
It’s a brave drama which opens for business to the tingling twang of The End. The Doors anthem was the ominous gateway to Apocalypse Now, and to follow suit is to invite comparison. A Murder at the ...
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