Scientists have often invited the public to see what they see, using everything from engraved woodblocks to electron microscopes to explore the complexity of the scientific enterprise and the beauty ...

Collectors, artists, galleries, and museums typically insure art against theft, fire, and flood. However, insuring against misattribution or forgery, which can quickly tank a work's value, has proven ...

Stop by the CCCAC during this time to check out the works submitted to the show this year! For Artists Submitting to the Exhibition: Drop your art off at the CCCAC by March 29 at 2PM Pick up your art ...

After two years of design, research, and creativity, Princeton’s 2025 Art of Science Exhibition is almost ready to open. The exhibition will feature 33 two-dimensional still images and roughly a dozen ...

When viewing paintings, people usually focus on what they can see. But often, the stories behind the painting — from how it was made to how it got to a museum — are just as interesting. “On the Same ...

A wax head of Elon Musk is seen on a robot dog as a part of an art installation called "Regular Animals" by digital artist ...

How does technical art history relate to the burgeoning field of heritage science? Has technical art history become part of heritage science? Can both disciplines be considered counterparts within the ...

Installation view of the Center for PostNatural History section in "Intimate Science," at Miller Gallery (all images courtesy Miller Gallery unless otherwise noted) New Art/Science Affinities feels ...

Last week, we kicked off a first-anniversary celebration for Universe of Art, our science-meets-art spinoff podcast. A lot of listeners have written in since the start of the podcast, telling us about ...

Art and Cartography, a collection of six essays by humanists, scientists and a museum curator, should be of interest to a wide audience. The essays are not meant to be comprehensive or even closely ...

This article was published in Scientific American’s former blog network and reflects the views of the author, not necessarily those of Scientific American Annalisa Crannell goes to art museums with ...